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關渡對話Guandu Dialogue

GUANDU DIALOGUE 2011

關渡對話2011

Herb Parker

I create architectural nature-based environments in the landscape.  My work speaks in a hybrid language from three distinct realms: architecture, sculpture and landscape.  The concepts explore ideas of time, movement, history, culture, community, dialogue, spirituality, entropy and regeneration. I hope to achieve a synthesis with natural forces in the service of architectonic ideals to create a space existing in the theoretical yet grounded in the visceral; sound, smell and touch.

I would like to create an architectural form, constructed with natural materials and exploring the idea of communication. This space is meant to engage the audience through interaction.   Two overlapping cone shaped structures, each 2.4m in diameter and 4.25m high, will be joined at the top through a tube.  There will be an entrance to each cone on opposite sides so one cannot see who enters the other cone.  There will be a seating element in the center of each cone. I will use bamboo from the region, lashed together to create the form with some indigenous grasses serving as thatch material for the exterior surface.  The thatching will act as a soundproofing element and make it difficult to hear someone outside the sculpture but sound will travel from one side to the other through the top tube shape.  This work will be a place for dialogue and a contemplative environment, embodying a reverence for nature with references to landscape, history, culture and dialogue.

我通常利用自然的素材在景觀上來創造有關建築的環境,我以自然為基礎的作品顯示在三個不同的領域:建築、雕塑和景觀裡的混合語言裡,而這些概念探究時間、變動、歷史、文化、社區、對話、靈性、熱力、革新的思想,我希望能實現自然力量的建築典範來領悟博愛目標的綜合理念。

我要為關渡自然公園構造的作品將會是一個具有隱喻意義的建築物體,以探究彼此相互溝通但卻不用實際面對面接觸的機會/慾望來呈現“回憶的寶藏”。藉由電子郵件、臉書(社群網站)、手機、簡訊、推特(社群網站)和其他近來的溝通模式,我們持續地與他人溝通聯繫卻不必有實際真實的接觸。這個作品意指鼓勵民眾由所提供的空間來做互動,一個人位在一個圓錐體裡可以用正常的音量和在另一個圓錐體裡的人說話但卻不用有見到對方的機會。朋友們可以各坐在相對的圓錐體建築裡和對方說話,或是從未相識的兩人可以由上方管狀物透過聲音的傳遞來產生交談。創造一個對話溝通的空間給社區、歷史和自然就是我的希望。

我想要設計一個建築的表現形式,使用自然素材來建造,來探索訊息交流的思想。兩個部分重疊的圓錐體結構,每個直徑為2.4公尺,高4.25公尺,將會透過管狀結構於頂端連結在一起。每個圓錐體的相反方向都有一個入口,因此一個人無法看到另一個人進入另一個圓錐體。每個圓錐體的中心裡都有設計座位。我將會採用當地的竹子,將其綑綁來呈現作品的骨架,再用當地的草如茅草等素材作為主體外部的表面部分,茅草具備如同隔音的元素,讓人在建築物裡不易聽到外界的聲音,建築物內部的聲音卻可以透過上方管狀物來傳遞至另一端。這件作品將會是一個對話溝通的地方,也是一個含括崇敬自然,同時涉及景觀、歷史與文化的沉思冥想環境。

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